Posts Tagged ‘san francisco’

“Skills Like This” Opens in the San Francisco Bay Area

Friday, April 10th, 2009

Monty Miranda’s directorial debut “Skills Like This” opens this weekend in the bay area, playing at the Sundance Kabuki in San Francisco, the Elmwood in Berkeley, and the Nickelodeon in Santa Cruz. Miranda’s film, the South by Southwest Film Festival audience award winner, is about a struggling writer named Max Soloman (played by screenwriter Spencer Berger) who decides to make an unlikely career change at the spur of the moment.  When Max calmly walks across the street and robs a bank after the failure of his latest play, he discovers that he’s finally found something he’s good at.  As Max embraces his new talents, his change in career filters through his friends and they start to look at their lives from new perspectives as well.  The film is amusing; it doesn’t take itself too seriously and features good performances from Berger, love interest Kerry Knuppe and Gabriel Tigerman as the uptight friend Dave.

FilmClick had an opportunity to discuss the film with director Monty Miranda and writer/star Spencer Berger while they were in town for the film’s showing at the San Francisco Independent Film Festival.  Take a look.

For more info on the film, check out the “Skills Like This” website:

http://www.skillslikethis.com

Interview with Jon Bowden about “The Full Picture” at the San Francisco Independent Film Festival

Friday, February 20th, 2009

Interview with director Jon Bowden about the film “The Full Picture” which plays on Sat. Feb 21 at 9:30 PM at the Shattuck Theater in Berkeley, California. Shot during the San Francisco Independent Film Festival.


Interview with Karim Ahmad about “Harrison Montgomery” at the San Francisco Independent Film Festival

Friday, February 20th, 2009

Interview with producer/writer Karim Ahmad about the film “Harrison Montgomery” which plays on Fri. Feb 20, at 7:15 PM at the Shattuck Theater in Berkeley, California. Shot during the San Francisco Independent Film Festival in San Francisco.

San Francisco Bay Area: Opening Night at IndieFest

Friday, February 6th, 2009

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The 11th annual San Francisco Independent Film Festival opened to a packed house last night at the Victoria Theatre in San Francisco’s Mission District with Shane Meadows’ film Somers Town. Meadows’ film was an atypical choice for an opening night film, but a wonderful surprise.  Thomas Turgoose, the star of Meadows’s internationally acclaimed This is England, delivers an awkward, brave and vulnerable performance as run-away teenager Tomo, who leaves the north-Midlands and ends up in the rundown North London neighborhood Somers Town.  It is a difficult role to portray and Turgoose is full of the bravado of youth, the determination not to return home, and the discomfort of adolescence.

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Somers Town

Turgoose’s deadpan comic foil, Piotr Jagiello as the as shy, Polish immigrant Marek, brings another dimension to the film’s illustration of the current struggle of the many Polish immigrants finding their way in the United Kingdom since the expansion of the European Union.  The film is shot primarily in black and white and its colorless world adds to the contrast between the characters, town, and their situations.  The exception is the film’s final journey, via the London to Paris train which is a background for this film about journeys.  When the film switches to color in a grainy, high-speed stock for a final journey by the two teenagers, it is almost a coda to the film, a reminder that journeys, internal and external, can be vivid parts of life.

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Opening Night at SF IndieFest

True to form for any of SF Indie’s events, which include Another Hole in the Head and the San Francisco Documentary Festival, when we left the theater after Somers Town, a motley group of Star Wars characters awaited the departing audience.  I didn’t C3PO, but R2-D2 was there, along with many storm troopers, Ben Kenobi and Luke Skywalker himself.  One of the great things about  the festivals that Jeff Ross puts on is the light whimsy that surrounds the events.  I think he realizes that films and events like these are meant to be fun and it always shows.  I’ve been to festivals with my films and usually the parties seem to be stiff, hotel ballroom mixers and the best times are usually had after hours at whatever bar you migrate to.  Not the case with SFIndie’s events.  Don’t miss the Big Lebowski costume party on Saturday, February 7.  I’m sure it will be fun.

by Christopher Potter, FilmClick.com

Go to: www.sfindie.com for show times, more information and tickets.


San Francisco Bay Area: World Premieres at IndieFest

Wednesday, February 4th, 2009

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The 11th annual San Francisco Independent Film Festival, which opens February 5 and continues throughout the Bay Area until the 22nd, presents several world premieres to viewers including Abraham Obama, Let Them Know: The Story of Youth Brigade and BYO Records, and Morris County.

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Abraham Obama

In Abrahma Obama, Pop/street artist Ron English creates an iconic image of Abraham Lincoln’s faced merged with Barack Obama’s and with his co-horts paste it up illegally all across America, plastering the image wherever they can find an open wall. Along the way they meet up with counterculture heroes like Shepard Fairey, Morgan Spurlock and David Choe and spread their subversive propaganda to America’s heartland on a grassroots campaign to get Obama elected.

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Let Them Know: The Story of Youth Brigade and BYO Records

Let Them Know: The Story of Youth Brigade and BYO Records takes you through the last 25 years of an independent Punk Rock label. The story is told through interviews and rare footage of the explosive LA Puck Rock scene from the 80’s until current. Riots, harassment from the law, amazing bands, crazy stories and best of all, a real and earnest desire to change the world through punk rock are captured in this documentary.

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Morris County

Morris County by Matthew Garrett is an equal parts drama, horror, true-crime anthology and life-cycle piece following three sets of characters on their individual journeys into oblivion.

Go to: www.sfindie.com for show times, more information and tickets.


San Francisco Bay Area: Glass House at International Latino Film Festival

Wednesday, November 19th, 2008

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Director Brad Marlowe brings the Latino Film Festival a moving documentary of how El Salvador, one of the smallest countries in the world, facilitated one of the most successful rescue operations during the second World War.   Glass House (78 mins) shares the story that begins in 1942 when the lives of thirty thousand Jews were saved when they were issued certificates of Salvadorian citizenship thanks to “El Salvador Action”.   José Arturo Castellanos headed the operation, a man assigned to open the Consulate of El Salvador in 1938 in in Hamburg while Europe was under Nazi siege. Glass House shares one of the greatest humanitarian efforts in the Holocaust’s history.  The documentary was filmed over a three-year period on location in Central America, Switzerland, Hungary, and Spain, as the sons and daughters of the heroes themselves along with some of the survivors of the effort, share this inspirational story, all people who owe their lives to El Salvador.

Glass House is playing on Saturday, November 22 at 6PM at the Latino Film Festival.

For Tickets: http://www.brownpapertickets.com/event/48030

San Francisco Bay Area: Maldeamores/Lovesickness at International Latino Film Festival

Tuesday, November 18th, 2008

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Maldeamores (90 mins), translated as “Lovesickness” or “Malady of Love”, is a comedythat investigates the way that love makes us crazy by entangling us in its deviouly complicated web. Co-directed by Carlitos Ruiz Ruiz and Mariem Prez, the multifaceted comedy takes us to the backyards of Puerto Rico, where lust and desire triumph over reason. Throughout the film, we see how love is a roller coaster through the trials and tribulations of three distinct couples: a boy who finds romance for the first time in the wake of his parents’ divorce, a love triangle that comes full circle as an elderly woman finds herself caught between her two ex-husbands, and an obsessive bus passenger who has lost touch with reality and acts on impulse in lieu of accepting rejection from the woman he loves. This melancholic comedy is a love story that captures both the ironies and mystery of love.

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Produced by Academy Award-winning actor Benicio del Toro, this film was nominated by Puerto Rico for the 80th Oscars.

Maldeamores will be screened:

Sunday, November 16 at 5 PM; for tickets: http://www.brownpapertickets.com/event/47071

Friday, November 21 at 9:15 PM; for tickets: http://www.brownpapertickets.com/event/47075

San Francisco Bay Area: Calle Santa Fe at International Latino Film Festival

Monday, November 17th, 2008

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In her moving documentary, Calle Santa Fe (167 mins), director Carmen Castillo shares her unbelievable story as she creates a portrait of Chile from the 1970s through the present as she and her country try to come to terms with the devastating effects of the Pinochet dictatorship.   After the bloody coup of September 11, 1973, that overthrew Salvador Allende, Carmen and her husband, Miguel Enriquez, members of  Movimiento de Izquierda Revolutionario, hid underground for a year, but were then found and taken into custody.  Her husband was killed while Carmen was wounded and left to die. However several decades later, Carmen returns from her exile in France and visits the neighborhoods where she once lived and the house where she was arrested.callesantafe.jpg Her film captures both the personal story of her homecoming as well as a desire to honor her fallen friends.  Footage from the past four decades provides a background for Carmen and survivors stories, as they reexamine the past with a mixture of anger, nostalgia, and pride. Call Santa Fe will be playing on Friday, November 21 at 8:00 PM for tickets: https://www.brownpapertickets.com/event/47054

San Francisco Bay Area: La Vida Me Mata at International Latino Film Fest

Sunday, November 16th, 2008

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La Vida Me Mata (81 mins), meaning “Life kills me”, is acclaimed visual artist Sebastian Silva’s (assistant director of Oscar winning Babel) first work: a smart, funny, and profound contemplation of life and death. The Chilean film follows the life of Gaspar, a lonely, young cinematographer, who is affected by his brother’s death. Unable to deal with his over achieving sister and sick grandfather, Gaspar spends his time with Susana,an eccentric actress who believes she making her masterpiece, an avant-garde opera. When he meets Alvaro, an idealistic traveler whom Susana picks up on their way to a funeral, Gaspar’s life changes. These characters embark on a series of adventures that help them unearth the fragility and value of human existence. The breathtaking visuals of La Vida Me Mata, help to illustrate larger life issues through a fun and fresh lens. Here Silva, a remarkable young talent, presents his strong voice and clear vision through the exploration of life, love, family, and relationships.

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LaVida Me Mata screens at the International Latino Film Festival on Thursday November 20th at 6 PM.

For Tickets: https://www.brownpapertickets.com/event/47049

Film Review - Considering Democracy @ DocFest

Thursday, October 30th, 2008

In Considering Democracy: 8 Things To Ask Your Representatives (56 mins), writer/director Keya Lea Horiuchi explores American democracy through the process of asking questions.  Taking us through ten  countries, including Thailand, India, Dominican Republic, Egypt, Japan, Australia, Nepal, and the US, the documentary begins by asking, “Have you ever wondered what other people think of the United States?”  Through a series of interviews and extensive research, Horiuchi complies a list of eight questions to ask your representatives before electing them into office or even challenging them once they are there.

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Horiuchi expresses her admirable obligation to not only her country, but also the globe at large: “As an American, I want to see open and respectful dialogue between people and groups.   I believe in the perseverance of humanity and respect the beauty in democracy.  As more people begin open dialogue, I believe this will bring strength and courage to American democracy”.  Her impressively audacious aim is captured in the documentary that uses interviews, news footage, facts, and figures to raise suspicion about the activities of the government, corporations, lobbyists, and the complacent general public.  While the seemingly arbitrary compilation of questions are  in fact centered around the flaws of the Bush administration, the corrupt nature of lobbyists and corporations, and the US fiscal spending in comparison to other countries, the film implies that it is the failure of the American people to ask questions.   The doc begins as Horiuchi decides, “to leave [the US] and start asking questions” in order to explore her initial query of what  other people think of the US.  Beginning interviews by asking the simple question, “what do you think of the United States?”, she finds a wide array of answers ranging from admiration, awe, mockery, disdain, and fear.  Adapting her questions to the people she asks, she often found more provocative answers in asking simply, “What is important to you?”

Researching the feedback she collected, Horiuchi compares various governments policies of other countries to the US.  For example, the obligatory four-weeks of vacation in Australia starkly differs from the workaholic nature of the United States.  Therefore, Horiuchi logically launches her series of eight questions by asking, “why don’t we get mandatory paid vacation time?”, an inquiry that gives way to a series of more complex queries. In addition to international interviews, the film juxtaposes global perspectives with those within the US.  In one interview, a D.C. lobbyist refuses to state for whom she works, while another interview of a US economic scholar analyzes the expenditures of US taxes.  A personal favorite was the intermittent footage of “Bush-isms” that provide an ironic sense of comic relief.  In a clip of Bush speaking on the topic of terrorist, he says “every life is precious.  That’s what distinguishes us from the enemies.  Every life matters”.  Although he refers to the religious belief of “the enemies”, taken out of context, this clip shows a morbid hilarity in Bush’s irreverence for a larger sense of humanity; the film’s overall blatant liberalism, puts it at home in the bay area. 

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Although the doc is undeniably well researched, it presents its audience with almost too much information.  While the research is provocative and thought provoking, it is impossible to digest all of the charts and graphs that seem somewhat more like a history lecture than a film.  That said, the documentary raises essential questions that the American people should be asking, especially in light of the impending election.  It is refreshing to see an American filmmaker looking for answers outside of the US, in a culture so typically “self-absorbed and ignorant”, as an Australian interview puts it.  In a country that “thinks inside, not outside”, Horiuchi raises the bar and makes gigantic leaps to help us look at the way Americans see themselves: by viewing though the eyes of others.  Ironically, however, almost all of the international interviewees speak English, perhaps more indicative of the US as a whole rather than the filmmaker.  In this way, the documentary shows us the result of one of the ignorant American stereotypes it criticizes, seen here in the US’s notorious devalue for learning multiple langauges.  In this, the doc self-reflexively reveals a flaw of the society that it explores. Horiuchi certainly achieves her hope that the film “can broaden the scope of debate in the U.S.”, as she sets a high precedent of the extent to which the American people should inform themselves and each other.  The film forces us to re-examine what it means to be patriotic, daring one to think and ask well-informed questions.

We also had a chance to interview this filmmaker at DocFest.

This is the HD version which will play above.
See it in SD here for lower bandwidth connections.

For more info on DocFest go to:

www.sfindie.com

Considering Democracy plays at DocFest on Saturday, November 1 at 12:30 PM at the Shattuck Cinema in Berkeley, CA.

by Lily Saltzberg, Filmclick.com